THEATER REVIEW: The Producers

State College Community Theatre pulled out all the stops and talent for their production of THE PRODUCERS, the musical comedy hit by Mel Brooks and Thomas Meeham. The only flaw that I can think of was that it did not run long enough.

I have seen THE PRODUCERS several times, including a not so great version by a national touring company, but director Jason Poorman hit the perfect note. Everything worked together, from creative staging, workable sets (Jeff Maloney), costumes that helped to define character (Julie Snyder), energetic choreography (Molly Riva), and, most importantly, being able to hear the actors over an excellent orchestra. Thank you, conductor Michael Marini.

The show was so well cast that it is difficult to highlight any one person. Many members of the ensemble had a moment in the spot light, but since the program did not give credit to the individuals, I have to do what I can. 

Special applause goes to ‘Roger’s team’. I am not sure which actor played which part, but you all helped to make it a very funny bit.

The same goes for the Little Old Ladies, and what delightfully dirty old ladies they were. I loved that each stayed so well in character in scenes where they were not featured. Though, I do think that I noticed a very healthy beard on one during the “walker dance”. That was fun!

I am not sure where to start with the leads. Most of them we have seen in previous productions, but each brought a surprise to this performance.  

Ken Wozetek’s Max Bialystock tore up the stage. He dominated his scenes with the other actors, but his shining moment was his soliloquy “Betrayed”. That is the perfect example of “tours de force”.

 

It was impossible not to fall a little in love with James McCready as Leo Bloom. His panic attacks brought out the maternal feelings in all of us.

The part of Ulla gave Katie Kensinger another chance to play the sexy bombshell—and this time as a blond. I knew that Katie could sing and act, but her talents as a dancer were showcased well in this production.

Tom McClary is brilliant! His portrayal of Roger de Bris was so right; his effeminate Hitler brought down the house. His partner Carmen Giya was played by Eric Brinser. This is meant to be one of the “smaller” parts but Eric made it a stand out one.

I was really impressed by Steve Travis as Franz Liebkind. I know that I have seen him in other roles, but nothing prepared me for his voice, his movements, and, yes, his legs.

I am one of the people who feel nostalgic about Boal Barn and will miss going there in rain, heat, and cold, but if this is what the SCCT can do with a proscenium stage I cannot wait to see future shows.

Catch the final two shows today at 2pm and 8pm at the State Theater 130 W. College Ave., State College.  Arthur Miller’s The Crucible will be on stage at The State Theatre July 19-20 and July 26-27. (If I have one criticism the run time for their shows is too short.) Tickets can be ordered at 814-272-0606, or check out their website at www.scctonline.org. It looks like a good season.